The Rats is a 2002 made-for-TV horror film, written by Frank Deasy and directed by John Lafia It is about a clan of rats in New York City transformed, as part of a DNA research trial, into man-eating killers who take over a Manhattan department store and threaten to overrun New York City. It was known as The Colony before. Aug 25, 2017. 'Beach Rats,' writer/director Eliza Hittman's second feature, has a plot, sort of, but the plot isn't really 'the thing' here. The film is more of a tone-poem, a shifting collage of mood and atmosphere, back-lit by the seedy-glamorous colored lights of Coney Island, the neighborhood in which the film takes place.

Summary: Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. Rat Film is a feature-length documentary that uses the rat--as well as the humans that love them, live with them, and kill them--to explore the history of Baltimore. 'There's never been a rat problem in Baltimore, it's always been a Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. Rat Film is a feature-length documentary that uses the rat--as well as the humans that love them, live with them, and kill them--to explore the history of Baltimore. 'There's never been a rat problem in Baltimore, it's always been a people problem'.

'Rat Film' is a fair documentary at its core, but the focus diverts to issues that don't bear any relationship to the central idea. Apple Diskimagemounter Download more. Really, it is a solid 30 minute film that has about 50 minutes of extra padding that doesn't do much more than bore, confuse or irritate the audience.

Acrobat Distiller Per Mac Download. This 'Rat Film' is a fair documentary at its core, but the focus diverts to issues that don't bear any relationship to the central idea. Really, it is a solid 30 minute film that has about 50 minutes of extra padding that doesn't do much more than bore, confuse or irritate the audience.

This 'essay-doc' is at times captivating, but more often it becomes scattered, self-indulgent nonsense. Nevertheless, this film should be a mandatory part of the curriculum at film schools, to show that having aspirations to be the next Marker or Herzog aren't enough, and if you make a film that doesn't hang together as a whole, you may end up looking like a pretentious fool--like Theo Anthony. One other point: In an interview for the Baltimore Sun, Anthony admitted that instead of filming real people, he 'recruited actors to try their hands at rat fishing'. Rather than making this clear to the viewer, he just hides behind the claim that his film 'is no conventional documentary.' What nonsense.