7 Comments: At, Susan in Florida said. Bridge school concert was the best concert I have ever been to. I have seen Neil well over 30 times (I think I could name all of the cities I have seen him in} I'll tell you he was as happy as I have ever seen him and so was everyone else. Especially me! 1982 hey.Everyone can grow old,lose their looks etc.

But never lose their vision or humility.Neil's commmitment to a cause has never waived some 32 yrs later, with the bridge school still as strong as ever.He's an amazing man indeed! Doc At, said. I look at that PSA and I want to cry.

Not because I feel sorry for Neil or those kids. I want to cry because even today we still put parents and their kids in a situation where they have to remind other people that they EXIST and most often that their basic needs are going unmet and require fundraising. Why in the most resourceful and wealthiest country on the planet, a country that brags about 'universal & natural inalienable rights' for all citizens, we still have to fundraise for their basic needs? The challenges (and barriers) they face should be enough to motivate a society to want something better for them. Shouldn't it be our job to reach out to them -- to find out what they need -- and not the other way around? At, Anonymous said. I can't reconcile Neil's profound respect for all life, expressed here, with his being pro 'choice' At, said.

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I didn't know he was 'pro choice.' How do you know that? Is it in one of his songs? Respect for life also includes an understanding and respect for biological functions like sexual reproduction. So unless you abstained from sex until you were ready to sign on that dotted line with your co-signer, I imagine it would be very difficult for you to reconcile anyone's views about pro 'choice.'

Back to our regularly scheduled program? Thanks MNOTR. We know that feeling well.

How can people get so unkind? To give love, you gotta live love. Why are people so complacent?

To expect to be sued by your own insurance company because it's standard practice? Business as usual? To sort through thousands upon thousands of pages of legislation to figure out whether or not a child qualifies for assistive technologies? We live in a city of dreams. Photo by Most Recent Comments Subscribe to RSS headline updates from: Powered by FeedBurner Thrasher's Wheat Links • • • • • • • • • • • • Neil Zeitgeist - Top Searches • • • • • • • • • • • More Search Thrasher's Wheat TW blog Powered by 'Someday You'll Find Everything You're Looking For' Reflecting Off My CD A Harvest of Wheat Posts • • • • • • • • • • • • • • More Neil sang yesterday. Subscribe to RSS headline updates from: Powered by FeedBurner Subscribe to RSS headline updates from: Powered by FeedBurner Archives Sticky Open Threads -. Neil Young FAQ: Everything Left to Know About the Iconic and Mercurial Rocker.

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The band in 1972. Background information Also known as Danny & the Memories, The Rockets, The Psyrcle, Neil Young & Crazy Horse Origin, Genres,,, Years active 1969–present Labels,, Associated acts Members Past members George Whitsell Greg LeRoy John Blanton Rick Curtis Michael Curtis Sonny Mone Matt Piucci Crazy Horse is an American band best known for their association with.

Beginning in 1969 and continuing to the present day, they have been co-credited on a number of Young's albums, with 11 studio albums and numerous live albums being billed as by 'Neil Young and Crazy Horse.' They have also released six studio albums of their own, issued between 1971 and 2009. (bass) and (drums) have been the only consistent members of the band. On four of Crazy Horse's studio albums, Talbot and Molina serve as the rhythm section to an entirely different group of musicians. Contents • • • • • • • • • • • • • • • • • • • History [ ] Early years [ ] The band's origins date to 1963 and the Los Angeles-based group Danny & The Memories, which consisted of main singer and supporting vocalists Lou Bisbal (soon to be replaced by Bengiamino Rocco, the husband of actress ),, and. The latter two would become the only members of Crazy Horse present in every incarnation of the band.

Produced a single for the group (by now rechristened The Psyrcle) in on Lorna Records (a subsidiary of ); however, it did not sell very well either regionally or nationally. Back in Los Angeles, the group evolved over the course of several years into The Rockets, a / ensemble that juxtaposed the rudimentary instrumental abilities of Talbot (bass), Molina (drums) and Whitten (rhythm guitar) against the more accomplished (violin) and Leon Whitsell (lead guitar). After leaving the group as sessions for their first album commenced, the mercurial and reclusive Whitsell left the group and was promptly replaced by his younger brother George, a -influenced guitarist also respected in the band's social circle. After Leon petitioned to return, it was decided that both Whitsells would remain in the group. This sextet recorded The Rockets' only album, a released in 1968 on. Whitten and Leon Whitsell contributed four songs apiece, with one song credited to Talbot and Molina and another ('Pill's Blues,' the group's unofficial anthem) to George Whitsell.

Whitten's 'Let Me Go' was prominently covered by on their; during this period, considered recruiting Whitten for that band. With Neil Young, 1968–1970 [ ] Although the album only sold about 5,000 copies, The Rockets soon reconnected with, whom they had met two years earlier during the early days of. In August 1968, three months after Buffalo Springfield dissolved, Young jammed with the group during a Rockets performance at the; Molina would later recall that Young's idiosyncratically distinctive guitar style 'blew George Whitsell's away.

He was kind of overshadowed.' Shortly thereafter, Young enlisted Whitten, Talbot, and Molina to back him on his second solo album.

Although all parties initially envisaged The Rockets continuing as a separate concern, the older band soon folded due to Young's insistence on having his new backing trio keep to a strict practice schedule. According to George Whitsell, 'My understanding was Neil was gonna use the guys for a record and a quick tour, bring 'em back and help us produce the next Rockets album. It took me a year and a half to realize that my band had been taken.' Credited to Neil Young with Crazy Horse, included the American No. 55 pop hit ' and the extended guitar workouts ' and ' alongside country and folk-influenced songs such as 'Running Dry (Requiem for the Rockets),' a tribute to the defunct band featuring a guest appearance by Notkoff.

Crazy Horse toured with Young throughout the first half of 1969 and, with the addition of frequent Young collaborator on, in early 1970. The 1970 tour was showcased on the 2006 album. Young would later opine that '[on] some of the stuff, Nitzsche was in the way tonally. Crazy Horse was so good with the two guitars, bass and drums it didn't need anything else.' Although Nitzsche openly disdained the rhythm section of Talbot and Molina, he retrospectively lauded Whitten (who was of ancestry) as 'the only black man in the band.' Shortly after beginning work on his third solo album with Crazy Horse in 1969 (including an unreleased take of Whitten's 'Look at All the Things' and a performance of Young's 'Helpless' that failed to make it to tape due to an engineering error), Young joined as a full fourth member, recording an album and touring with the ensemble in 1969 and 1970. When Young returned to his solo album in 1970, Crazy Horse found its participation more limited.

The group as a whole appears on just three of the eleven tracks on: ' (recorded toward the end of the album's recording sessions, the majority of which included Ralph Molina in a semi-acoustic quartet with erstwhile CSNY bassist and multi-instrumentalist ) plus a cover of 's ' and 'I Believe In You' from the 1969 sessions. Young 'fired' the group in the aftermath of the 1970 tour due to Whitten's escalating abuse (partially attributable to the rhythm guitarist's severe ) following an incapacitated performance at one of the Fillmore East performances; according to Molina, Whitten also felt that Young was 'holdin' him back' as a guitarist and songwriter.

With and without Young, 1970–1989 [ ] Crazy Horse capitalized on its newfound exposure and recorded its for that year. The band retained Nitzsche as producer and keyboardist and added Lofgren as a second guitarist; singer-songwriter and guitarist also sat in on three tracks at the behest of Nitzsche to deputize for the ailing Whitten. Although the album only peaked at No.

84 on the Billboard 200 chart in 1971, Whitten's ' would later be covered by a wide range of artists, including, the, and. Stewart would record the song three times and score a hit with it on the same number of occasions, most notably as a UK No. 1 double A-side in 1977 with 's '.' In 1988, the song would become a Top Ten hit in the UK again, this time a No. 3 for. Two songs from the album were covered by Scottish hard rock band: Lofgren's 'Beggar's Day' appeared on (1975), while Nitzsche's 'Gone Dead Train' is the second track on (1977). Following the commercial failure of Crazy Horse, Lofgren and Nitzsche left the group to pursue solo careers; meanwhile, Whitten's drug problems pushed Talbot and Molina to dismiss him and turn to outside musicians. The band released two albums on different labels ( Loose and At Crooked Lake) to critical and commercial diffidence in 1972; along with Talbot and Molina, guitarist/singer-songwriter Greg Leroy was the only musician to appear on both albums.

While the former saw Rockets guitarist George Whitsell briefly return to the fold, fronting the band in conjunction with Leroy and keyboardist John Blanton, the latter was dominated by the stylings of Rick and Mike Curtis (formerly of These Vizitors and best known for their later work as The Curtis Brothers). Concurrently, Young placed Whitten on retainer in the fall of 1972 with a view toward including the guitarist in his new touring band, the Stray Gators. However, following his poor performance in rehearsals, the band pressured Young to dismiss him. Although Young let Whitten live on his ranch in and worked with him one-on-one during off-hours in an unsuccessful effort to keep him in the group, Whitten died several hours after returning to Los Angeles, his death attributed to a fatal overdose of alcohol and. After Whitten's death and the tepid reception accorded to both albums, Talbot and Molina were the only full-fledged members of the band. They let the Crazy Horse name go unused while resolving not to retire it altogether.

In mid-1973, Young brought together a band comprising Talbot, Molina, Lofgren, and pedal steel guitarist to record, the majority of which eventually saw release (in bowdlerized form with some other material added to the album) in 1975. In the autumn of 1973, this ensemble toured Canada, Great Britain, and the United States as the Santa Monica Flyers. Molina and Whitsell would subsequently contribute percussion and guitar (respectively) to Young's in 1974. Shortly after aborted Young sessions involving Talbot and Molina at 's in late 1974, the trio spontaneously convened at Talbot's home in 1975. The jam cemented the role of rhythm guitarist, a friend of Talbot who began to play with the group (to the initial chagrin of Molina) during the Chicago excursion and proved to be just the right person to help resurrect Crazy Horse.

Zee Horror Show Ringtone Mp3 Download. 'It was great,' Talbot would say of the gathering and the chemistry it evoked. 'We were all soaring. Neil loved it. We all loved it. It was the first time we heard the Horse since Danny Whitten died.'

After a five-year hiatus Neil Young and Crazy Horse was born again, and Young marked the occasion by finishing off the lyrics to ', soon to become one of the new lineup's signature songs. With Sampedro and producer David Briggs in tow, Young and Crazy Horse quickly recorded later that year in the basement of Briggs' rented house in, initiating their most prolific period of collaboration.

Sampedro's lack of technical proficiency ('Neil kept writin' simpler songs so I could play them') and desire to see Young 'rockin' and having fun and seeing chicks' asses swaying in the audience' would greatly inform the tenor of the record, which largely assays conventional hard rock styles and ribald misogyny with few of the country and folk flourishes that had dominated Young's music since 1970. Following a warmup tour of unannounced engagements at various bars (ironically christened the Rolling Zuma Revue in reference to Bob Dylan's contemporaneous ) in December 1975, Young and the band toured Japan and Europe in March-April 1976. However, they were shut out of a proposed summer stadium tour when Young rekindled his collaboration with. They toured America that autumn when Young was forced to make up a series of canceled concert dates after walking out midway through the tour with Stills.

From late 1975 to 1977, Young recorded feverishly in various solo and group configurations; Crazy Horse appears on all but two songs of 1977's country-inflected (with many tracks featuring an augmented lineup that included Ben Keith, Carole Mayedo,, and ), while features two performances with Crazy Horse: 'Look Out for My Love' and the -inspired 'Lotta Love'. In 1978, Crazy Horse released, their fourth original album. It features instrumental contributions from Young, Bobby Notkoff, Greg Leroy and Michael Curtis. Later that year, they joined Young on the tour that led to the successful and, both credited to Neil Young and Crazy Horse. As Young spent much of the eighties working in genres mostly outside the band's idiom, Crazy Horse recorded with him more sporadically, appearing only on, an unspecified portion of, and.

Sessions for a planned 1984 album with the band ended after they were 'spooked' by the addition of a professional horn section, although a bootleg of a performance at The Catalyst in containing many of the intended songs remains an enduring fan favorite. Several years later, Young included all three members of Crazy Horse in another horn-driven ensemble, the Bluenotes.

But when Talbot and Molina proved ill-suited to a blues-oriented approach, Young reluctantly replaced the Crazy Horse bassist and drummer while retaining Sampedro, who would remain with Young in various band permutations over the next two years. Immediately thereafter, Talbot and Molina replaced Sampedro with former guitarist Matt Piucci, recruited Sonny Mone to provide vocals and recorded the pointedly-titled (1989).

With and without Young, 1990–2014 [ ] The split with Sampedro and Young proved relatively short-lived as Young and Crazy Horse reunited in 1990 for the acclaimed album and for a tour in 1991 that generated the live album. Over the next 12 years Crazy Horse would steadily collaborate with Young once more, joining the singer for (1994), (1996), the live (1997), 'Goin' Home' on (2002), and (2003). Sampedro agreed to sit out the recording of Greendale, as Young felt the material called for only one guitar; he joined the band on guitar and organ for the ensuing tours of 2003 and 2004. According to Jimmy McDonough, Crazy Horse had begun a sixth album of its own in the mid-1990s, but left the project unfinished when Young called upon the group to join him for some secret club dates in California (for which the quartet billed themselves as The Echoes), leading to the recording of Broken Arrow.

Young and Crazy Horse attempted to record for three months in in 2000; few takes were finished to the band's satisfaction, and Young re-recorded most of the material with for Are You Passionate? Toast, an album culled from the San Francisco sessions, was announced for imminent release in 2008 as part of Young's Archives series; as of 2017, it remains unreleased. Crazy Horse remained on hiatus for eight years following the Greendale tour. Although Sampedro was employed as an assistant to on from 1992 to 2010, the band continued to rehearse several times a year and more intermittently with Young during this period. Trick Horse—a collection of hitherto unreleased non-Young recordings possibly derived from older Sampedro-funded sessions where session musicians were hired to play the instrumental parts, enabling the band to focus on their vocal performances—was released on in 2009.

According to Young in a 2011 interview with, 'They have to be together before I can be together with them. They haven’t been doing anything together, so they need to be able to do it. I don’t have the time to support things. I have to go with things that are going to support me. But I think they can do it.' Shortly thereafter, Neil Young and Crazy Horse convened to release two albums in 2012.

Was composed almost entirely of covers of songs and singer-songwriter standards, while featured original Neil Young songs written for the band. Neil Young and Crazy Horse toured throughout 2012 and 2013 in support of both albums, traveling to the United States, Canada, Australia, New Zealand and Europe. In 2013, Talbot, Molina, George Whitsell and lead vocalist/guitarist Ryan James Holzer formed Wolves. They released their first recording, Wolves EP, on February 16, 2014. With the addition of background singers Dorene Carter and YaDonna West, Young and Crazy Horse also embarked on a summer 2014 European tour following a solo Young American tour spanning the winter and spring, constituting their most recent activity to date. For the tour, longtime Young collaborator stood in for Talbot, who was recovering from a minor stroke.

Reissued recordings [ ] The self-titled debut album was reissued on CD in 1994. In 2005 ' Handmade division released the two-disc set, Scratchy: The Complete Reprise Recordings, in a limited edition of 2,500 copies. It included a remastered versions of the debut album and their second, in their entirety on the first disc, with the second disc containing nine rarities and outtakes (including both sides of a 1962 single by Danny and the Memories). The original set is currently out of print, but was reissued on Rhino in England and in the U.S.

Loose was also reissued as a stand-alone CD by Wounded Bird in 2006. The Australian reissue label reissued in 1999 with seven rare bonus tracks, and in 2005 put out a 20-track retrospective, Gone Dead Train: The Best of Crazy Horse 1971–1989, featuring material from each of the group's five albums with the exception of its second one, Loose.

Was released in 1995 on the Sisapa/Curb label, and Crazy Moon was reissued on CD again as a BMG import in 2005. Was reissued in 2013 on the Floating World label.